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Two Adéla songs are going around TikTok right now, and only one of them carries an actual trend. That one is “Ain’t in LA”, released on 23 July 2026. The format is a sentence you finish: “Can’t always be LA, someone’s gotta hold it down in…”, then your town, your neighbourhood, your school. You walk in slow motion, you lip sync, you put the name of your place on screen. The other track, “Nicole Kidman”, is a song and a music video, not a format anyone is copying. If you want your version to clear the first hurdle, a push of TikTok views helps it get seen.
Where does Adéla’s song come from?
A 22 year old Slovak signed to Capitol
Adéla Jergová was born on 27 November 2003 in Bratislava. She first got noticed in 2023 on the music reality show Dream Academy, where she went out early, then kept releasing singles on her own. Capitol Records signed her in May 2025. In 2026 she put out “KGB” in April, “Red Bottoms” in late May, and “Ain’t in LA” on 23 July.
The third one changed everything. “Ain’t in LA” became the first song by a Slovak artist to enter the US Billboard Hot 100, peaking at number 30. It hit number 1 in the Philippines, 3 in Singapore, 12 in the UK and 9 on the Billboard Global 200. None of that happens without TikTok.
@adela pre-save “Ain’t In LA” in bio 👁️👄👁️
The 17 July post that started it
Adéla did not wait for someone else to invent the format. Six days before release, on 17 July, she posted her own video built on “someone has to hold it down in Bratislava, Slovakia | can’t always be LA”. It passed 1.4 million views. After that, people swapped Bratislava for their own town and the thing ran by itself.
How does the Ain’t in LA trend work?
The song is about that feeling of wondering whether your dreams would be closer if you just lived somewhere bigger. The trend flips it. Instead of leaving for Los Angeles, you claim that your own nowhere has people worth watching too. The line always lands on the same idea: LA is fine, but someone has to hold it down back here.
The visual recipe barely changes. You film yourself walking or posing in slow motion, you lip sync the hook, and you overlay the name of the place you represent. Some play it straight. Others go full red carpet diva in a supermarket car park, which is usually funnier.
A dance branch grew on top of it, built on a ballet body roll that came over from the #swaggerina hashtag. Adéla trained as a dancer and has reposted several of those versions on her own account, which pulled the ballet crowd and the general crowd into the same sound. The video below is a good example.
@missliyalu baddest ⭐️ aint in LA #aintinla #swaggerina
Why is everyone doing it?
Because it scales without effort. Every town, every village, every boarding school, every hospital ward can post its own version and nobody competes with anybody. Someone in Doncaster watches the Doncaster video, not the Manila one. TikTok likes that a lot: the system pushes content into geographic pockets, so a well placed local video finds its people without needing to please the whole planet.
There is a payback element too. The message lands with anyone tired of hearing that everything real happens in three big cities. In the Philippines, where the song went to number 1, students from Canlaon City posted versions that Adéla reposted herself.
The Nicole Kidman effect
On 26 August 2026, at the Practical Magic 2 premiere, Nicole Kidman praised Adéla and said she planned to go to her Nashville show on 21 September. The next day, 27 August, the actress opened her TikTok account. Her very first video is a getting ready clip before the London screening, captioned “Magic brought me here”, and the audio she picked is “Ain’t in LA”.
Plenty of people have been searching for “the Nicole Kidman trend” ever since and landing in the wrong place. The song with that title came out on 4 September 2026 alongside the album Prima, which entered the Billboard 200 at number 4. Its video, directed by Hannah Lux Davis, replays scenes from Moulin Rouge, Babygirl, Birth and Eyes Wide Shut. It is a tribute, and clip excerpts pull TikTok likes by the thousand, but no participation format formed around it.
What local accounts get out of it
The format is a gift for anything with a street address. A tourist board, a handball club, a university, a corner pub: swap the town name for the name of the place and the video writes itself. Production costs nothing, and the message amounts to saying “we are here”, which goes down much better than an advert.
Two traps, though. The first is being late. A July audio still works in September because the album relaunched it, but it will not hold until Christmas. The second is tone. If the video smells of a marketing department, the comments will say so within the hour. The ones that work are filmed by somebody who actually works there, not by an agency.
Your version deserves more than 200 views. On a local trend the first few hours decide everything: once the video moves, TikTok shows it to your whole town.






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